Portable, rack-mountable, and easy to use, with high-end audio quality, and flawlessly integrated with state-of-the-art software, the StudioLive™ 16.0.2 is a great choice for small live events and personal recording studios.
8 mono and 4 stereo channel inputs with 60 mm faders (12 faders)
4 auxiliary buses (pre/post-fader send) and 2 internal FX buses
On all channels and buses: 3-band semi-parametric EQ, compressor, limiter, downward expander
Stereo, 31-band graphic EQ on the main bus
16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
MIDI I/O: control main and effects output levels, recall effects presets and Scenes, and serve as a MIDI interface
Bundle for Mac®and Windows®includes PreSonus Studio One®Artist DAW, Capture™ live-recording software, Virtual StudioLive™ bidirectional mixer-control software with Smaart Measurement Technology™. Free StudioLive Remote iPad®wireless-control software and QMix™ iPhone®/iPod touch®wireless aux-control software.
Ever since the "dawn of digital" audio engineers the world over have had a love-hate relationship with their consoles. The new BEHRINGER X32 digital mixing console lets you focus on your event, instead of navigating a vast sea of knobs, buttons and menus like most other live digital mixers. X32 is intuitive and powerful with 40 processing channels and 25 mix buses, all equipped with serious signal processing (dynamics, EQ and inserts), which can be configured quickly to meet the demands of virtually any gig, large or small.
The Integrator Series Zone Mix 761 is a complete zone mixing, paging, and music management solution designed to save integrators time and money. Built upon proven and reliable technology, the Zone Mix 761 is perfect for restaurants, hospitality establishments, night clubs and more.
The Zone Mix 761 combines a level of quality, polish, and features never before seen at such a competitive price. The beautiful Graphic User Interface provides a familiar hardware-like layout allowing for a low learning curve and quick use. From elegant remote controls to a simple 3rd party control protocol, the Zone Mix 761 is all about integration. It provides a level of audio comfort and security often overlooked with life safety system support for emergency announcement routing or system muting.
MIDAS digital can relax, enjoy the PRO2's sample-synchronous audio quality, and mix from well within their comfort zone. Engineers already familiar with MIDAS can just load their existing show file straight into the PRO2, regardless of which MIDAS digital console it was created on, and carry on working.
In addition to the PRO2's 56 primary input channels, PRO2 also features 8 aux returns, all of which feature 4-band MIDAS parametric EQ and insert points. These 8 aux returns can be used as returns for the PRO2's internal FX processors, or as additional mic channels, if sufficient mic inputs are available on the I/O hardware.
A total of 64 input channels have routing to 27 phase-coherent mix buses, which comprise 16 user-configurable buses (which can be mixes, subgroups or mix minus groups), and 8 matrix buses. The Matrix buses source from inputs, as well as groups, and so can be used as 8 additional auxes (monitor mix and FX sends) which provides a total of 24 mixes (plus L, R & Mono) for monitor mixing duties. All buses can be linked as stereo pairs (except the mono bus).
As with all MIDAS digital consoles, the audio paths can be routed to multiple destinations and the console format can be reconfigured live on a scene-by-scene basis.
The DL153 delivers legendary MIDAS sound quality in a cost effective, discrete 2U chassis that utilises time-tested and proven MIDAS technologies. Equipped with 16 premium MIDAS microphone preamplifiers with 2.5 dB gain steps and 8 balanced line level outputs and dual redundant AES50 network ports, the DL153 is the ideal partner to the PRO 1 / PRO 2 digital consoles Ñ significantly increasing the network capacity and number of mic. Inputs and analogue outputs.
The DL251 is a 5U 19" fixed-configuration rack I/O unit with 48 mic/line inputs and 16 mic/line outputs. The DL251 is limited to analogue connections only and provides a more cost-effective solution for those not requiring the flexibility of MIDAS modular I/O hardware.
MIDI (in, out and thru) and one Ethernet control port are fitted as standard. Three AES50 ports handle the (n+1) redundant digital audio interface. The DL251 is capable of being switched between 96 kHz and 48 kHz via a front panel switch.
On the rear panel there is a Mute All Outputs button for onstage re-patching. The unit is also equipped with dual-redundant PSUs.